Let's visit the Trullo Sovrano, the biggest trullo of Alberobello. Let's dive in this journey in time and in the tradition of one of the symbols of Puglia, which is among the most known in the world.
Tell me first symbol of Puglia that comes into your
mind.
You may have thought about Alberobello and about its
skyline made of trullis that with their grey cones animate the slope of the
monumental district. Every place in the world has a monument that is a symbol
and, even though each area of Puglia has its own, the trullo has a honor place
in representing the region.
In this blog post, I tell you about a particular
trullo, one of those that you can’t ignore when you visit Alberobello: the
Trullo Sovrano.
The peculiarity of the Trullo Sovrano
If you’ve even entered a trullo, you may have noticed
that as beautiful and particular as it is, it’s a narrow environment, with
small spaces used as rooms and potentially a wooden loft and staircase.
The Trullo Sovrano is different. We’re talking about
the biggest trullo of Alberobello, that stands in front of you once you pass
the church dedicated to Saint Cosmas and Saint Damian.
Its façade is large, white with the cone that looks
like a pointed hat. In the ‘60s, it was the set for the film Casanova ’70 starring Marcello
Mastroianni and in the latest years has showed its best during the light events of Alberobello: it
was the canvas for Klimt’s The tree of
life and honoured the 700th anniversary of Dante’s death.
It’s made of several environments that date back
different periods, an older part of the 17th century and a more
“recent” one of the 18th century, which was committed by the priest
Cataldo Perta to use it as a chapel. Actually in the room that today welcomes
us after crossing the door, once there were the relics of the saints Cosmas and
Damian.
Later, in the 19th century, the trullo was
bought by the Sumeranos and used as a house. Now, you can visit as it was in
the past, when the family lived here and you can dive in the life of that time.
The visit of the Trullo Sovrano
The visible stones on the walls draw little arches
that seem to be decorations, but actually they’re much more: they’re the
elements that allow the trullo to stand.
The trullo is a self-supporting structure and built in
a way that it can unload the force along the load-bearing walls without the use
of mortar (even though this one is one of the first example where it was used).
Being so large, the Trullo Sovrano needed an important structure and the rich
archbishop had the possibility to have the best materials and artisans for his
project.
Now you can see the stones and can appreciate the
skill with which it was built, but when people lived here , the walls were
covered with white lime, which helped to spread the light in the space and to
disinfect the environment.
Our visit of the Trullo Sovrano starts from here.
The master bedroom
In the room, there’s a crack in the wall that opens
directly in front of the access door. It’s the “saiettèr”. The rich used this
crack to scare any ill-intentioned with a shotgun. Here we find it in front of
the bed and when it wasn’t used, it was closed with a wooden wedge, otherwise
you can imagine how drafty it could be!
Still feeling observed, we cross the little door to go
out of the bedroom for a change of environment.
The servants’ kitchen
Originally, in this room there was a big oven and with
big I mean that it occupied half of the room. They put wood in it from a little
external window and also the neighborhood worked here: just to give you the
idea of how many people were engaged to make it work.
When other ovens spread in the town, this one, which
was awfully big and expensive to feed and to maintain, it was abandoned and now
there are just the chimneys to remember it, ourside of the trullo.
Nowadays, instead of the oven you can see a sideboard
for the production and the storage of bread with pans, laundry boards, sieves
and other tools that we also have in our kitchen, or better, we have their
recent cousins.
The old part
The oldest part of the trullo also is the largest.
We’re in a twin trullo, that is to say that it has two vaults inside, but under
a unique cone. This is the part that dates back the 17th century.
Here socializing activities happened and there’s an
element that tells us so, the fireplace. And I hear you asking why the
fireplace. Wasn’t it to heat the room?
Sure, but if I find a stone bench inside the structure, I immediately imagine
people sat, tosty, kindly chatting!
The garden
Let’s walk through the room decorated with trunks and
jars to go out in the garden on the back. The sunlight, the green of the lawn
and of the hedge, the cones of the trullo against blue sky and red geraniums on
the white background of the wall. Everything in perfect harmony.
Here there’s another peculiarity of the Trullo
Sovrano: the external tank. Generally, the tank for water collection was under
the building. On the contrary, here it’s in the garden because there are more
cones and ditches that convey in this point.
On the lawn, a bit aside, there’s a small building. A
question arises: what was there? Well, the toilet, an element that makes us
understand that the inhabitants of the trullo were wealthy and can afford even
the luxury of a toilet, whereas the other had to be content with the bedpan.
On the lawn they placed some tables and garden
umbrellas and visitor can take a seat and taste a glass of local wine in the
tranquility of this private green corner. If they want to get the chance, they
also can buy some local and delicious products to take home and to taste, like
taralli or Primitivo wine orecchiette.
Now we walk under a romantic pergola to get in again,
but not from where we went out.
The master kitchen
Bowls of legumes, pasta and grains spread the table
and tell about a diet that once was considered poor, for those who could afford
expensive food like meat. On the contrary, nowadays it’s considered as one of
the healthiest, richest in nourishment and most refined.
From here we return to the room where we’ve started
our visit and go and discover something
that there’s just in this trullo.
The first floor
If there’s something that you can see just in the
Trullo Sovrano, it’s the stone staircase. As I said at the beginning of the
blog post, trulli usually have a loft with a wooden staircase. Instead, in the
Trullo Sovrano they take advantage of the important width of load-bearing walls
to realize a long, practical and comfortable staircase to go upstairs.
Initially, the two rooms were conceived to be the
guest rooms, but that area is very cold in winter and hot in summer, so not
that “hospitable”. For this reason it was used as weaving room, as the loom in the middle of the space proves.
In the next little room a cradle and some toys tell
that while the mum was working at the loom, her children could stay with her
and play. When you are here, I suggest you to look outside the little window
and to enjoy this privileged view on the streets of Alberobello.
Before leaving
the room, pay attention to a grate on the floor that opens on an underlying
space. If you look carefully, you can notice that inside there are some coins.
Once it was the grain deposit. They tell that in 1862 Giuseppe Sumerano threw
some coins in it before sowing as a sign
of goodwill and the harvest was excellent. Now, also visitors throw a coin in
this old well, wishing to have good luck as happened to the owner of the
trullo.
Our visit ends here. As an Apulian woman, I thought to
know well trulli. Instead, once more, I’ve to admit that you never know your
land and its typicalities well enough. I’ve always seen the Trullo Sovrano from
outside, but I’ve never got closer enough to allow it to talk about itself,
until now.
If you are in Alberobello, don’t stop just in the
monumental district, but venture in the Northern part of the town, where
streets are quieter, with less traffic and listen to the stories that the
Trullo Sovrano will be glad to tell you.
The Trullo Sovrano is open every day from h. 10,00 to
h. 13,00 and from h. 15,30 to h. 18,30. The ticket costs 2,00 euros. For
further information you can visit the website.
I thank Pier Giorgio Francavilla and the team of the
Trullo Sovrano for having had and guided me in this journey in time and in the
tradition of one of the symbols of Puglia, which is the most known in the
world.
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